Just a quick one this time for the record, as well as a few preemptive thanks.
As mentioned previously, the creative stage is going well enough, while the production stage is virtually absent. There are a lot of songs that reflect a broken heart (and perhaps this is one of many excuses not to work on the album), something I’d always hoped none of my albums would become. Hence, Hijacking Your Fiction may be more therapy than art.
“Voices” is currently my favorite work-in-progress (with the increasingly frustrating “Ruin” right behind) so I feel the need to get everything just right. I finally had a few ideas yesterday that might get me a couple steps closer to the production stage. The lyrics are coming together (indeed, the lyrics for most of the songs are nearly finished) and I’m considering using Lizzie Gask, known around these parts for her work with The Dirty 30s, and who will likely be featured on at least one other song on the album, to help me close the song.
As far as using other people, I’d also like to give a quick mention (there will be longer mentions later, no doubt) to John Beauchamp (a.k.a. MusiM) who is doing an embarrassingly simple guitar riff for me, not because I’m incapable mind you, but because I do not at this time have an electric guitar in Seoul. I did, but its disappearance is another story. I’ve turned acoustic guitars into post-production electrics before, but in this case I’m going to need an electric to achieve the tone I’m looking for. Also, my cousin Zachary Annett will be featured on drums for “Reconnect,” and I’m debating whether to hand him drumming duties for the album version of “Gate 36.” Finally, a preemptive thanks to Scott Coward who, whether he knows it or not, will become my mixing engineer. He may also, again unbeknownst to him, contribute some hand drums to “Sweet Victory.”
One final note, I may opt to work on The Recovery Project for a while, a digital noise side-project that I’ve had on the back burner for quite some time and have been hoping to use to vent some frustrations, instead of AllThisIsMeaningless. I spoke of therapy, and right now I can’t imagine a better therapy than that.