Hijacking Your Fiction, at last

It has been a long road.  My first full-length album is official.  Check the widget on the right, or visit http://allthisismeaningless.bandcamp.com.  There is more to come soon, including a long list of acknowledgments.

Advertisements

Lyrics Update

The lyrics page has been updated. You may notice that not all the lyrics have been posted.  This is intentional (except in the case of Electricity, which will be updated later). Certain homonyms and punctuation can potentially change the meaning of some of these lyrics. I do not wish to interpret them for you. You, the listener, are the final part to the whole that is any art, thus giving meaning if indeed any is to be found.

Publicity, Marketing, and Other Stuff I Know Little About

As previously stated, I have neither the motivation or the narcissism required for self-marketing.  Nonetheless, I am trying to post more often and get a few other things going that might help more people be aware of the existence of AllThisIsMeaningless.

In this vein, I have opened a Twitter account.  Ya.  Twitter.  I Tweet now.  This is particularly odd to me as I had declared it dead more than once, but the media seems to be keeping it alive.  There is not much to be seen yet, not even a photo, but you can follow me @ATIM_music.  This is not the name I wanted, but I tried a few others that didn’t quite work.

And speaking of narcissism, my favorite rejected user name?  AllThisIsMe.  Damned limitations.  I also considered AlThIM, which I may still do.  Would anyone care vote?

I have also started a couple accounts on other social media, not so much that I plan to use them, but that they will be there if I decide to.

Further publicity to happen soon:  an interview about AllThisIsMeaningless and Hijacking Your Fiction and an album preview on SoundCloud.  If all goes well the latter will get done tomorrow.

Coming updates:  Album release details (mastering is getting done as I type this), a contest idea I’ve been kicking around for a while now, a long list of thank-yous, a call for remixes, and the future of AllThisIsMeaningless.

A Break in the Silence

Blog reboot.

AllThisIsMeaningless is not idle.

I won’t detail the struggle to finish this album (I will save it for another time, perhaps) as there is much to be said about a five-year process. Countless album ideas begun and scrapped when, in 2010, everything came together.  It has not been easy and there have been long periods of nothing done.  And now, Hijacking Your Fiction will see the light of day at last.

The mix phase of the album is complete thanks in large part to my new producer, Scott Coward.  We have pushed hard these last six months to get it done.  The next step will be to send the tracks for mastering, which I will be doing this week.

As of now, only four people (including myself) have heard the album in its entirety.  Two more will be added to the list: mastering engineer Zachary Annett, and artist Jennifer Kover, who will also be doing some video.  If, however, you managed to get the C/Fe Menagerie Vol. 1, you will recognize three of the songs, though two of them have gone through some rather dramatic changes.

That is all for now.  There will be much more in the coming days.

Christmas…in December!?

A collection of music I’ve done for Christmas over the years, beginning in 1999 with “Carol of the Electro-Drum Furniture, which was done by playing live with a Quasimidi 309, a Roland Juno-106, a Roland DJ-70 sampler and a dual tape deck. Each part was dubbed using the tape deck, hence the noise and volume guesswork. Copyright infringing fun.In 2007 I tried to recreate the magic, but failed to capture the spirit with the new “Carol of the Electro-Drum.”My most ambitious holiday effort came in 2008, using the score for Mozart’s Lorettine Litany, “Litaniae de Beata Virgine, K. 109,” as edited by Dolores Ambrister (1979). Each section had several takes and I’ve included the Midi Mozart alternative version here as well, as cheese as it is.The 2009 offering never really got going. Here I’ve uploaded “Carol of the Bells (snowstorm),” which I rather enjoy, and “Carol of the Bells (dumheim yawnroller),” which was a half-hearted and unfinished attempt at getting away from the usual Christmas bell-choir-in-a-factory noise I had been doing, but quickly lost my interest.

Finally, a preview to my latest effort, the unfinished instrumental portion of “God Rest Ye Merry Gentlemen.” Something like a Christmas dirge. I’m not sure it will be finished due to inconvenience.

Everything is free to download until it is removed in January.  Please share if you like it.

Merry Christmas.

Christmas Release

Some of you may know that I have released quite a few songs for Christmas over the years, but few of these have made it any further than into the hands of close friends and family.  This year I’m working on one that I quite like thus far, an interpretation of “God Rest Ye Merry Gentlemen.”  This will be available for download on my Soundcloud page.

But surely, you say, there is more?  Indeed.

I will also make the entirety of my Christmas catalogue available to all who wish to have it, beginning with “Carol of the Electrodrum Furniture,” which I made with a Juno 106, a Quasimidi 309, and a Roland DJ-70 sampler.  I layered sounds by overdubbing on a dual tape deck, so it is quite noisy, poorly mixed and leveled, and tremendous copyright-infringing fun.

Look for it soon.